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Wallpaper: Fagus Leaf Circles on White – 1000mm x 1000mm

This exquisitely designed and visually striking square wallpaper panel shows various golden reds of Fagus leaves in a circular motif, on a white background with larger scale Fagus leaves in the centre. Elements of Helichrysum scorpioides (Everlasting) and Maidenhair fern are also incorporated.

$290.00

Out of stock | Buy now to secure back order: 8-10 weeks

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Product Description

Common names include Tanglefoot, Deciduous Beech or Fagus. It is the only native deciduous tree in Tasmania and the only cold climate winter-deciduous tree in Australia. The leaves of this highland delight turn gold and deep red in April/May, only in Tasmania. It is considered a paleoendemic species to Tasmania as macrofossils have been discovered within Oligocene sediments both in Tasmania and Antarctica.

  • Kingdom Plantae
  • Nothofagus gunnii

“These leaves were collected from a private Hobart garden with permission.” Deborah Wace

Details
These panels are produced on PhotoTex substrate, the original peel-and-stick polyester fabric material. No framing required! Easily relocatable. Adhesive backing can be applied directly to wall, or onto Perspex, a glass divider or window pane. No damage to surfaces. Best installed on smooth surface such as plasterboard or glass. Opaque backing to block the light or underneath paint colour. Mailed in a sturdy cardboard tube complete with installation instructions.

About Deborah Wace - botanical artist Hobart, Tasmania

Deborah Wace is a botanical artist, fabric designer and professional printmaker from Tasmania. Through her highly detailed and intimate artwork she creates a window into the botany of Tasmania’s wild and often endangered plant communities including native orchids, rainforest, buttongrass and marine plants.

Deborah’s inspiration for her range is drawn from her extensive, private plant specimen collection, gathered and digitised over 30 years. She combines digital plant images with dry point and mono-print original artwork and etchings, which she layers to create her rich, complex botanical designs on fine fabric, wallpaper and a range of architectural substrates.

She is embedding sustainable plant specimen collection, production and printing processes into her work.